‘The proportions of the human body according to Vitruvius’) is a drawing made by the Italian polymath Leonardo da Vinci in about 1490.
The Vitruvian Man (Italian: L’uomo vitruviano [ˈlwɔːmo vitruˈvjaːno]; originally known as Le proporzioni del corpo umano secondo Vitruvio, lit. ‘The proportions of the human body according to Vitruvius’) is a drawing made by the Italian polymath Leonardo da Vinci in about 1490. It is accompanied by notes based on the work of the Roman architect Vitruvius. The drawing, which is in ink on paper, depicts a man in two superimposed positions with his arms and legs apart and inscribed in a circle and square. It is kept in the Gabinetto dei disegni e delle stampe of the Gallerie dell’Accademia, in Venice, Italy, under reference 228. Like most works on paper, it is displayed to the public only occasionally, so it is not part of the normal exhibition of the museum. The work was recently on display at the Louvre‘s exhibit of Da Vinci’s work, from 24 October 2019 to 24 February 2020 as part of an agreement between France and Italy.
autor: Vjeran Birimiša, 12/07/2020
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Ukoliko želite sudjelovati u emisiji Pila Naopako, slobodno nas kontaktirajte i mi ćemo rado prihvatiti vaš materijal. Nećemo odustati od podržavanja metal scena i njihovih bendova, kako bi učvrstili našu poziciju kao jednog od najstarijih metal emisija u regiji.
Listen Pila Naopako every Sunday at 9 pm (cest) at www.klfm.org or https://www.mixcloud.com/pila-naopako/stream/.
Pozivamo sve bendove koji žele da svoj rad predstave široj publici da nam šalju svoje snimke. Svake nedjelje mi ćemo ih emitirati i dati vam priliku da se predstavite i naučite nešto novo o drugim bendovima.
Most modern beer is brewed with hops, which add bitterness and other flavours and act as a natural preservative and stabilizing agent. Other flavouring agents such as gruit, herbs, or fruits may be included or used instead of hops. In commercial brewing, the natural carbonation effect is often removed during processing and replaced with forced carbonation.
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