The Silent Scream
Na neki način, ovo je nastavak prošlotjedne radio drame autora Wallyja K Dalyja… uživajte!
Picking up where we left off last time, we are continuing our journey through field recordings with two more hours of atmospheres and thoughtful soundscapes.
The centerpiece of hour one is something from a new discovery I’m enjoying, the “Environments” LPs, which was very much the inspiration for this show. The recording of the Be-In from 1969 is not only a wonderful time-capsule of a different era, but it paints a wonderful picture through sound of an era that feels so long ago. This recording gives it weight and presence that is worth hearing all the way through.
In hour two, Mini-Mutations takes over, to deliver an hour of field recordings that are mixed and remixed to create a continuous hour or sounds.
And, of course, the podcast version has almost 25 minutes of bonus material. So you know you wanna check that out.
Can you feel the fall setting in?
Enjoy!
Enviornments
This episode contains excerpts from the videos ‘The Field Recordist’ by Sonic Fields & ‘Microphone Basics’ by Akash Thakkar.
HOUR 1
Part I:
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Sonarchy (Live 17 March 2007) * Seattle Phonographers Union *Seattle Phonographers Union * and/OAR / Mimeomeme Records (2009)
Part II:
03.) [track 1] * Hal McGee * Halzine #11 * Self-Released
04.) Be-In (A Psychoacoustic Experience 6 April 1969) [Part 1] * Irv Teibel * Enviornments 3 * Atlantic Records (1971)
Part III:
05.) Be-In (A Psychoacoustic Experience 6 April 1969) [Part 2] * Irv Teibel * Enviornments 3 * Atlantic Records (1971)
06.) Azalea Woods Office Complex * Doug Haire * Myrtle Beach Professional Park * Self-Released (2009)
HOUR 2
Part IV:
07.) Environments [Live] * Mini-Mutations
autor: el5egundo, 17/09/2018
Arhiva
Na neki način, ovo je nastavak prošlotjedne radio drame autora Wallyja K Dalyja… uživajte!
Nakon reprize ovotjednog Soda Fountana (23:15 – 01:15 h), preslušajte ‘Terms and Conditions Apply’, dvostruki album ingenioznog Stevena Stapletona (ili, ako vam je draže, Nurse With Wound). Ovo ostvarenje možda ne donosi neke pomake, ali svejedno šokira, kao i ostali Stapletonovi radovi. Također, pored Stapletona i njegovih uobičajenih suradnika, na zadnjih šest skladbi gostuju talijanski projekt Larsen (otkriće Michaela Gire – inače su snimali za njegov ‘Young God Records’), njemački avangardni glazbenik Eberhard Kranemann (poznat i pod pseudonimom Fritz Müller), te kanađanka s londonskom adresom, Freida Abtan!
“Crossing the Bridge” tonska je pozadina istoimenog izvrsnog glazbenog dokumentarca iz 2005., te ujedno solidan presjek tadašnje turske scene. Kao posljedica predrasuda koje izvor kvalitetne glazbe uvijek lociraju negdje sjevernije i zapadnije, Istanbul je, kao i ostatak Turske poprilično izoliran i nepoznat po tom pitanju. Iza ovog projekta stoje njemački redatelj turskog podrijetla Fatih Akin te glazbenik Alexander Hacke. Naoružani tek mobilnim tonskim studijem, njih su dvojica savršeno jasno uhvatili bit trenutka, arhivirajući tako u izlogu vremena lokalnu scenu koja je upravo te 2005. započinjala svoj proboj iz orijentalne anonimnosti ka globalnim širinama.

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